Best Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story Structure Secrets for Writing Your BEST Book By Alexandra Sokoloff

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Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story Structure Secrets for Writing Your BEST Book-Alexandra Sokoloff

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Are you finally committed to writing that novel or screenplay, but have no idea how to get started? Or are you a published author, but know you need some plotting help to move your books and career up to that next level?You CAN write better books and scripts—by learning from the movies. Screenwriting is based on a simple (and powerful) structure that you already know from watching so many movies and television shows in your lifetime. And it's a structure that your reader or audience unconsciously expects, and that is crucial for you to deliver.In this workbook based on the internationally acclaimed SCREENWRITING TRICKS FOR AUTHORS workshops, award-winning author/screenwriter Alexandra Sokoloff shows you how to jump-start your plot and bring your characters and scenes vibrantly alive on the page by watching your favorite movies and learning from the storytelling structure and tricks of great filmmakers:•The High Concept Premise•The Three-Act, Eight-Sequence Structure•The Storyboard Grid•The Index Card Method of Plotting•The Setpiece Scene•Techniques of film pacing and suspense, character arc and drive, visual storytelling, and building image systems.This edition uses an enhanced format and layout, incorporates all the basic information from the first Screenwriting Tricks for Authors workbook, and doubles the material, including ten full story breakdowns. Also available in PRINT --- the textbook-quality edition is 8 x 10 inches and lies open flat for easy highlighting and note-taking.For information on books, workshops, and free Story Structure Extras, go to www.ScreenwritingTricks.comREVIEWS:"Alex Sokoloff's STEALING HOLLYWOOD is the owner's manual that belongs in every writer's toolkit. Alex dissects the elements of story-telling with clarity, wit and wisdom. Don't thank me—buy the damn book!" —Mary Kay Andrews, New York Times bestselling author of Ladies' Night and Summer Rental"I'd already written fifteen novels by the time I met Alex and discovered her unique approach to structuring fiction. She changed my entire writing process for the better. I couldn't live without my three-act storyboard! Alex is a gifted and generous teacher and author, and STEALING HOLLYWOOD is a must-have book for new and seasoned writers alike." —International bestselling author Diane Chamberlain"Sokoloff's advice is spot-on, and her teaching style is direct and effective. A must-have book for authors and screenwriters." —JA Konrath, bestselling author of A Newbie's Guide To Publishing"Whether you're an old pro or an apprehensive beginner, Alex Sokoloff offers a sensible nuts-and-bolts approach that puts you in control of your material." —Margaret Maron, Edgar®, Agatha, Anthony & Macavity Award-winning author of the Deborah Knott mysteries"Sokoloff is a generous mentor with the gifted ability to address a storyteller's practical concerns while encouraging artistic integrity and every author's unique voice. Only three of my half dozen novels have been written with her unwitting guidance, but I can guarantee that with this book at my fingertips, all my future work—and my reading audience—will benefit from her advice. Recommended without reservation."—Vicki Pettersson, bestselling author of the Sign of the Zodiac series

Book Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story Structure Secrets for Writing Your BEST Book Review :



All of my life I dreamed of writing a novel. When I retired, I took several writing classes. I was ready---or so I thought. I approached my work in progress as a "pantster." And why not? I had a story, characters, and setting. My hero and his evil antagonist were ready to do battle. I sat down at my computer with enthusiasm and confidence. That's when I saw it---the blank screen---quite terrifying in its understated threat to my aspirations.I didn't know where to start and I didn't have a plan. What to do? I keyed in a heading: OUTLINE. That's what I needed: an outline. But the screen remained blank. What next? I purchased novel writing software to help organize my ideas and get the creative juices flowing. Sigh. The learning curve was too steep and the screen remained blank and threatening. Guess I was meant to be a reader, not a writer.Along came our community reading festival. If I couldn't write, at least I could stock up on good books. While I stood in line for an author book signing, a soft voice nearby said, "Excuse me. I didn't mean to eavesdrop, but did you say that you tried to write a book but found the process too complicated?""Yes," I said, it was complicated.The quiet little lady continued, "If you are serious about writing, I might have just what you need." She wrote the name of a writing academy at West Texas A&M University. "Please feel free to call if I can be of help."I went straight home and googled the website of the writing academy. Alexandra Sokoloff's class on plotting shouted my name. But so had the five classes I took before the days of the blank screen. How could I determine whether this workshop could solve my organizational problems? By gosh, I'd buy Alexandra's text book "Stealing Hollywood: Story Structure for Writing Your Best Book." I had concerns. Perhaps "Stealing Hollywood" would be just the ticket for screenwriters but maybe not so valuable for novelists. I didn't need to worry. Yes, there are valuable Hollywood tricks in the book. But this is it, the real McCoy, the meat and potatoes of how to write your best book ever. Three hundred and eighty-six pages that take you from concept to finish.Okay, so Alexandra Sokoloff can write a great text book. But can she write a great novel? I bought four of her books and, yes she can write and she writes well. Even better, she writes the genre I like to read. Airline tickets were tempting me, but could this stranger teach? Should I enroll in Alexandra's workshop "Plot Your Novel in a Week?" There was only one way to find out---hit the purchase button and head for Texas. And I did. Yep, Alexandra can teach---and entertain---and motivate. Working with Alex and the members of our class was the most fun I'd had in a long time. Every student left with good memories and a fully plotted novel.I finally have a work in progress organized by the efficient and easy to use index card method. No more intimidating blank screen. There are words,pages, even chapters.You don't have to travel to Texas to benefit from "Stealing Hollywood." The book stands on its own merit. But if you have the opportunity, it is the experience of a lifetime.Thanks, Alexandra Sokoloff for writing a fantastic book on story structure and for presenting an outstanding workshop.Thanks Jodi Thomas, bestselling author of more than 50 books, for flying to Florida for our community reading festival. Did I mention that Jodi was the kind lady who encouraged me to pursue my dream?And a final thanks to the faculty and staff of the West Texas A&M University Writers' Academy. You're the greatest!
I just used this book to write my Nanowrmo story in 30 days. If you are having trouble with plot, this is the number one book I would recommend. She gives you an exact layout of what type of things should happen when within a story. These are just basic story telling elements, but they really help you flesh out your story and help you figure out what's missing. I cannot recommend it enough.She is from the film industry, and uses the 3 act 8 part structure typical of bestselling movies. By pointing out the elements that every good story has, and in what order, she makes writing much easier.In the first part of the book, she breaks down the elements you need in your story by act, so it's easier to get a rhythm going for your story. All of the information contained in the book is available for free in her blog (she will tell you that herself), but the book organizes it so it's easier to understand.

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